Everything in the forest is the forest

A short video introducing Everything in the forest is the forest can be found here.

‘Ecosystems are so similar to human societies – they’re built on relationships. The stronger those are, the more resilient the system.’

Professor Suzanne Simard

In 2019 I read a worrying government report stating that loneliness and isolation were increasing in rural Britain. At the same time, I was learning that in contrast trees thrive and communicate in sentient, connected communities. I asked, what can we learn from the unity of the forest?

After gaining access to a circle of 12 oak trees at The Birmingham Institute of Forest Research (BIFoR), I visited them regularly to visualise and learn from their intelligent manifestation of community and exchange. Part of the University of Birmingham, BIFoR is a world leading facility pioneering research into the impact of climate change on woodlands and trees.

I found that although oaks appear to be individual entities above ground, in the subterranean world they connect their roots with fungal networks to share nutrients and information. They identify and nurture their offspring, pass wisdom to their young, and care for weak trees. They’re home to countless creatures and feed themselves and others with the leaves they shed. In death, their decay supports their ecosystem for years.

When lockdown came, thereby exacerbating the problem of human isolation in rural circumstances, I identified people living around the forest who were lonely or isolated. I delivered monthly online workshops to nurture a creative network and teach the participants forest-based photographic skills. Mirroring the social, supportive behaviour of the oaks through our collective interest in photography, we formed lasting friendships. The group said that the workshops provided much needed focus in solitary times, and we met in person for the first time in summer 2021.

To respect the balance of the ecosystem I haven’t removed anything from the forest, adapting my practice to create all work with and within its environment. This has included building 24 pinhole cameras resembling bird boxes, and installing two into each tree to record year-long exposures. I’ve created hundreds of oak leaf lumen prints, visualised root networks, produced soil chromatography, oak gall ink to paint branches, written to the trees, recorded sound, and documented the forest’s instinctive transformation to accommodate its changing needs.

Inspired by the circular behaviours observed in the forest, I have worked collaboratively with artists Carolyn Morton and Danielle Phelps, alongside designer Emily Macaulay of Stanley James Press, to make Everything in the forest is the forest, a handmade biodegradable photobook, supported by Arts Council England.

The book features a specially commissioned collaborative text by writers Kerri ní Dochartaigh, Marchelle Farrell and Jessica J. Lee. Throughout summer 2025, it will circulate nationally via a borrow and share, rather than buy and keep, community driven distribution system.

Everything in the forest is the forest will be presented by Impressions Gallery as a solo touring exhibition from May 2025, as part of Bradford 2025, UK City of Culture.

This work is kindly supported by Arts Council England, Impressions Gallery, Bradford 2025, GRAIN Projects, STEAMhouse, The Birmingham Institute of Forest Research (BIFoR FACE), University of Birmingham, University of the West of England, Stirchley Printworks, and a-n The Artists Information Company.